A skewed orchestral fantasy for the end titles of this 2004 comedy from director Hal Salwyn. Available on DVD September 27th, 2005.

A medley of music from the Oscar-nominated documen- tary, ranging from ambient violins to melancholy guitar themes.

A medley of Blake Leyh's original music composed for the film.

A dubby remix of the Canto-Pop song that Blake wrote for the film WILDLIFE, featuring Hong Kong film star Jo Kuk on vocals, and Blake rapping about Wild Cranes.

A smooth R&B jam, used in THE WIRE and Kirby Dick's SHOWGIRLS.

A fourteen-minute ambient improviation featuring Andre Burke on violin and Blake Leyh on fretless bass, from the CD SHADOW ECONOMY.

A New-New Orleans funeral march. Traditional, arranged by Blake Leyh, from the CD SHADOW ECONOMY.

From the CD WINTERMASS, composed in collaboration with Amanda Kramer.

The title track from Kirby Dick's 2000 documentary about life in a diverse Los Angeles high school. The DVD is available.

Part 1 of the ambient guitar suite composed to celebrate the birth of Blake's daughter Aiko Leyh.

Part 2 of the ambient guitar suite composed to celebrate the birth of Blake's daughter Aiko Leyh.

Part 3 of the ambient guitar suite composed to celebrate the birth of Blake's daughter Aiko Leyh.

Blake's alter-ego The Earl of Edgecombe dropped this mash-up mix for Summer 2005, featuring The Clash, Zion Y Lennox, Miles Davis, Gwen Stefani, Faye Wong, Eno, Usher and more.

Blake wrote and produced the theme music for HBO's The Wire. Here's an excerpt from that.

The end titles music from the 1992 B-Movie schlock masterpiece. Blake's score featured choral latin vocals, giant steel can percussion, harmonica, and guitars.